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SCRATCH 3D Workflow Helps "Les Krostons" Become Masters of the Universe

Les Krostons" want to take over the world and their impish intentions were recently revealed in a five-minute VFX-laden 3D stereo teaser, directed by Frederick Du Chau through Le Studio d'Imagination, and screened at the 2010 Cannes Film Festival. Duran Duboi in Paris harnessed the powers of ASSIMILATE's SCRATCH(r) Digital Finishing Solution in a streamlined file-based 3D stereo workflow, from set to post production, to DCP deliverables. Read More >>



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This weekly publication, for streaming and broadcast professionals, keeps you up to date with the latest industry news, useful techniques, insightful articles, project profiles and critical reviews. HD Weekly keeps you up to date on the latest tools and technologies in HD and HDV production. It included tips, techniques and tutorials, product reviews, project profiles and breaking news. Streamline, for streaming media professionals, is a Digital Media Net weekly e-mail newsletter that covers the latest trends and information from the streaming media market.
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Interview:

Digital Cinema and Data Workflows in China: An Interview with Wu Chiao, Director and Cinematographer

Well known director and cinematographer Wu Chiao is at the forefront of digital cinema in China. He has been immersed in the filmmaking process since his first day as a student of cinematography at the Beijing Film Academy. He has been the director and/or cinematographer (DP) of numerous films, setting a standard of excellence within China. George Lucas` "Star Wars II" -- the first motion picture to be shot using an HD camera -- planted the seed with Wu Chiao that quality movies...

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Company Profile:

Digital Magic Hong Kong Sets Up SCRATCH 3D and RED Workflows from ASSIMILATE

SCRATCH DI Workflow Ideal for 3D and RED Camera-Based Productions

Digital Magic Hong Kong, a leader in state-of-the-art post-production in Asia, has now established an ASSIMILATE SCRATCH digital intermediate (DI) workflow to specifically handle the conform, color grading, and finishing of RED digital camera?s native R3D files, as well as 3D features shot with RED Digital Cinema?s cameras. Because SCRATCH is resolution independent, it will also be used as a component of their 3D pipeline...

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